Alexa Meade (Washington, 1986) criou uma abordagem surpreendente e, creio eu, inovadora. A síntese perfeita entre a pintura, a fotografia, a street art, a instalação.
Ou seja, Alexa não usa tecnologia de pós-produção, montagens, sobreposição de imagens ou outros malabarismos técnicos. Pura e simplesmente, pinta os seus modelos vivos e fotografa-os.
Mas, nada mais explicativo que a própria Alexa para descrever a sua criação artística-
“Growing up in Washington, D.C., I had the opportunity to work as a press intern on Capitol Hill throughout high school and college. Later, I worked as a press staffer on the Obama Campaign. Spending my formative years immersed in the world of politicians and PR led to a fascination with the possibilities of repackaging source texts and adding superficial modifications that would profoundly alter perception. What the audience ultimately unpackaged was a personal interpretation of an already mediated re-presentation.
In my current work, I construct and then photograph ephemeral installation sets that feature an assemblage of found objects and live models, which I have covered in layers of acrylic paint. I paint the surfaces of the human subjects, the material objects, and the architecture of the installations so as to collapse the subject, foreground, and background into one continuous plane. I present my ephemeral portrait/performances as both live, interactive installations as well as permanent photographic indices of these experiences.
By using paint as a mask that mimics the surface attributes of my source materials, I repurpose the common codes of painting and create a reciprocal self-referentiality in which the reference envelops its referent. The time-based portrait/performance installation is mediated through still photography, providing a record of the performative act in which the codes for representation/painting and indexicality/photography converge”.
Para ver e rever, aqui ALEXA MEADE